Louis Granet bases his artistic practice on the links between cartoon and painting.

The artist develops techniques and codes learned from « comics » to apply them on several supports. Signs, lines and shapes represent the starting point of his aesthetic research. The reappropriation of images and their superposition tend to disorient the public: the viewer is confronted with both abstract forms and figurative and physical images.

Nevertheless, the pictorial research of Louis Granet, blurred and partially explicit, leaves an important place to the imagination of the observer. The various forms and materials used, as well as the different perspectives, create on the surface of the paintings compositions in several layers which suggest multiple keys of reading.